Photos: LA Dance Project Annual Gala

Photos: LA Dance Project Annual Gala

Natalie attended the LA Dance Project’s annual gala last night. I’ve added photos from the event to the gallery.

Press: Natalie Portman on playing a tormented astronaut in Lucy in the Sky, the Time’s Up movement, and being the new Thor

Press: Natalie Portman on playing a tormented astronaut in Lucy in the Sky, the Time’s Up movement, and being the new Thor

As a kid with a precocious mind for science, Natalie Portman dreamed of becoming an astronaut. But acting eventually grounded her among less celestial stars.

So the role of Lucy Cola, whose encounter with the vastness of the universe during a space-station mission triggers an existential crisis back on Earth in Noah Hawley’s Lucy in the Sky, was “a little bit of wish fulfilment”, Portman admits. And it wasn’t merely the prospect of climbing into a spacesuit.

“Just to see a woman in complete humanity, with flaws, with strengths, is so lucky,” she says. “So often, a woman is adorable, or a badass, or a villain. You could sum her up in one word.”

“You don’t have a simple feeling about Lucy at the end,” she adds.

Lucy in the Sky is loosely based on the tabloid-ready tale of Lisa Nowak, the astronaut who in 2007 drove from Houston to Orlando to attack her former lover’s new girlfriend – reportedly wearing a diaper to save time on her journey.

Alas, there’s no diaper in Lucy in the Sky, an omission that has whipped expectant audiences into a froth. “This is fictional, other than the sort of jumping-off point,” Portma n says.

An Oscar winner for Black Swan and an outspoken Time’s Up advocate, Portman will soon be embracing another “type-A” woman: in July at San Diego Comic-Con, she lifted the hammer high as it was revealed that her Marvel character, Jane Foster, would be anointed female Thor in Thor: Love and Thunder, due in 2021.

Talking from Los Angeles, where she lives with her husband, the choreographer and filmmaker Benjamin Millepied, and their two young children, Portman, 38, speaks about navigating a traditionally male world, both onscreen and off.

These are edited excerpts from the conversation.

Let’s begin with the mystery of the diaper. Why isn’t there one, and what’s with our fixation?

Well, I think that it was the salacious element of the real story. For us, that wasn’t what it was about. We were trying to get into the heart of humans and not make it salacious. It seems to be a symptom of clickbait culture that getting my name and diaper in the same sentence is probably helpful for journalists.

Lucy has a mind-altering experience while floating alone in space that makes life back in Houston suddenly feel so small. Have you ever experienced anything similar?

You mean, like an existential crisis? [Laughs] Realising our insignificance, and then weighing that with how much you feel everything. I don’t know a human that hasn’t faced that at some point.

And yet when Lucy behaves much like a man might in competing for the next mission, her supervisor castigates her for getting too emotional.

Noah had me watch The Right Stuff in preparation to get a sense of that very competitive, arrogant, hazing environment that goes on at Nasa to get those seats. These daredevil personalities that are willing to strap themselves to a bomb and splashdown in the ocean in basically a metal shell that just drops out of space. I mean, it’s really wild what they’re doing, and it’s a very specific personality.

And when you see the men doing it in The Right Stuff, it just seems so fun, and good-natured – guys just messing with each other, you know? But when you see me and Zazie (Beetz, playing Lucy’s rival) doing it, it comes off like, “Oh, that’s a catty woman in the workplace.”

That’s the same thing that I think she experiences when her suit starts filling up with water. She feels like if a man did that, they’d be like, “Oh my God, look. He’ll do anything just to finish the mission. What a hero.” With her they say, “Oh, you’re reckless and emotional.”

You didn’t actually have water in your helmet in that scene, did you?

We did fill up the helmet with water, which was scary, because apparently that’s a difficult thing to do with current special-effects technology. I am not that daredevil personality, so that was definitely a challenging day. Basically, I held my breath as long as I could, and then I could remove myself from the helmet as soon as I couldn’t hold my breath anymore. [Laughs] Oh, yes, it was a less pleasant scene to do, I must admit.

What struck you most from your research into female astronauts?

It’s interesting to note a profession where there’s usually one woman at a time. Even that recent story about how two women [were scheduled to do the first all-female spacewalk], but they only ended up having one suit, and one of them couldn’t go – which was so insane – [and it] shows this idea that there’s one slot for a woman that exists so often in powerful positions. There is one seat for a woman at the board table or whatever.

Lucy’s plight reminds me of the speech you gave in which you advised, “Stop the rhetoric that a woman is crazy or difficult”. Which leads me to Time’s Up. What are you most proud of accomplishing?

It’s been a really impressive thing how Time’s Up has been able to shape the conversation around pay equality and promote that. Of course, the US women’s soccer team was really crucial in shaping that conversation. Michelle Williams just furthered it [in her Emmy acceptance speech]. It was really incredible to get to see how culture is shifting in talking about it. Then the recent changes in the New York law that was pro survivor of sexual harassment, abuse and assault was also really incredible. I think all of the conversations – women talking to each other, women talking publicly more – is inspiring to each of us. It makes us more capable of knowing even how to articulate what we’re feeling, what we need.

There’s so much to do still, but it’s also been a very rapid change and definitely feels like all of us have had a light-speed evolution in the past few years.

And now you’re about to embark on a new Thor film, your first since ‘Thor: The Dark World’ in 2013. Three years ago you said that as far as you knew, you were done. How did the franchise lure you back?

The third one didn’t take place on Earth, where Jane lives, so it didn’t make sense for me to be there. When [director Taika Waititi] came to me with this idea – that I get to be female Thor – it was a very exciting prospect. I think Marvel has been really wonderful at making their films look more like a reflection of the world and having superheroes of all different kinds of people. And to have so many female protagonists [with Angelina Jolie as Thena in The Eternals] is also really, really exciting. The Black Widow movie [starring Scarlett Johansson] looks amazing.

How does it feel to finally become a superhero?

I love getting to be part of something that is such a major part of entertainment for young people. It sets your mindset to recognise injustice. I recently saw a sign at the climate march where this kid was like: “I grew up on Marvel movies. Of course, I’m going to fight against wrong”.

So just how heavy is that hammer?

[Laughs] It’s heavy. I was surprised.

Source: The Independent

Photos: ELLE Women in Hollywood Celebration

Photos: ELLE Women in Hollywood Celebration

I’ve added photos of Natalie looking beautiful at last nights ELLE Women in Hollywood Celebration to the gallery.

Press: Natalie Portman Calls for Women to Embrace Their Mistakes: “F*ck Up and Thrive, Sisters”

Press: Natalie Portman Calls for Women to Embrace Their Mistakes: “F*ck Up and Thrive, Sisters”

When Natalie Portman took the stage at ELLE’s annual Women in Hollywood event last night, she was poised to talk about equality. Her latest film, Lucy in the Sky, explores the stakes for women who fail or flounder in comparison their male counterparts. Her female astronaut character “loses her cool and loses everything.”

But during her remarks, the Oscar winner painted a world in which women are allowed to fail big and stay in the game. “The most powerful example we can set for the next generation would be for us to do that most human of things: Make mistakes, and then not follow the narrative of the doomed woman or the fallen women or the destroyed woman,” Portman declared. “Go out post-mistake and succeed wildly. So, fuck up and thrive sisters.”

Read Portman’s full Women in Hollywood speech.

I am so happy to be here with you all today. Thank you all. I mean, that’s the best honor. I’m so flattered to be here with this group. Mindy, Nicole, Melina, Lena, Jodi, Zendaya, Scarlett, Gwyneth, Dolly. I’m honored to be here among you. And I love watching everything you do and I feel lucky to be in a world where you are making such beautiful art. I’m so happy to be here on behalf of Lucy in the Sky, which opened last week.

Lucy is an astronaut. She’s a high achiever. She’s someone who wins and when she gets back to Earth after her mission, she has a hard time returning to the mundane routines of everyday life. And she … kind of, well, loses it. And when she loses her cool, she loses everything. She loses her job, her relationship, her identity. And the experience of playing this character made me yearn for a woman’s right to fuck up. To fuck up and not be interminably punished for it. Because we know, as we tell our kids, that making mistakes is the only way we learn. And we know that the biggest moments of our growth come out of our worst blunders. And if we have to play it safe to avoid mistakes, to avoid the severity of consequences for women who make mistakes, we can never be all that we potentially could be.

And over the past couple of years I’ve gotten to meet more of you—and by you, I mean those of you who identify as women in the entertainment industry—than I have in my entire 25-year career. And to my great delight, I’ve encountered some of the kindest, most thoughtful, most interesting people I’ve ever met. Once, a long time ago, a guy I dated told me that his father had warned him not to date actresses or other female impersonators. And I laughed. But I also internalized that people think of actresses as crazy and as difficult and as demanding and as artificial. And recently, as I sat in room after room of actresses because of Time’s Up, I was struck by how down to earth, how empathetic, how thoughtful and multifaceted each of the women I met were, without exception. And I realized that success for women relies on good behavior. And that the women who are in this room are probably the hardest working, the least complaining, the best personalities you can find.

And of course here, everyone is super talented and smart but also easy to be around. Because if you are a woman and you’re a pain in the ass, you will not get another job. And meanwhile, how will we know if we’ve reached equality? Is it going to be when this room is a room of successful women and it’s full of assholes? Is it going to be when our movies tank and then we get a raise the next time? Is it going to be when we commit a series of crimes and get elected anyway?

I hope not. I hope that it’s, more optimistically, that equality goes in the direction of men being held to the same standards that women are held to. That alongside talent, kindness, respect, and being easy to work with are valued as essential characteristics to getting hired. And that truly bad behavior prevents you from getting another job. And that when the offense is forgivable, when the post-mistake learning is real, people with all genders get the second chance that men currently do.

So, our job in this room as leaders in our industry is fuck up. The most powerful example we can set for the next generation would be for us to do that most human of things, make mistakes and then not follow the narrative of the doomed woman or the fallen women or the destroyed woman. Go out post-mistake and succeed wildly. So fuck up and thrive sisters.

Source: ELLE

Photos: Recent Events & Appearances

Photos: Recent Events & Appearances

Over 1,500 new photos of Natalie attending various recent events have been added to the gallery. A HUGE thank you to my friend Samantha at Brendan Fehr Online for her generous donations.